Marantz AV receivers comparison

The problem of choosing a receiver from the whole variety of devices presented by the brand probably affected every lover of good sound. In each price category, more than one model is presented and the company's engineers tried to make each device attractive to users, in which case it is necessary to compare Marantz receivers.

Best Marantz AV receivers

Over its many years of history, Marantz has produced many receivers. Now among the current NR and SR series, customers identify several really excellent models that should be included in the Marantz av receiver comparison.

The Marantz NR1200, the stereo receiver, is characterized by a reduced height and wide multimedia functions. The amplification section uses an asymmetrical design with discrete components. The power supplied is equal to 75 W/channel. Connectivity is complete: there is Bluetooth, Wi-Fi, Ethernet, USB and AirPlay 2. Users can access the streaming services of Spotify, Tidal, Amazon Music, Deezer, and TuneIn. Video signals with resolution up to 4K, HDR10, and HLG are supported. The HDMI ports also manage Auto Low Latency Mode (ALLM) on compatible TVs.

The Marantz NR-1510 home cinema amplifier is a 5.2 channel model with a slim profile, UHD 4K HDR compatible, capable of delivering up to 85 watts per channel. Heos compatible, it allows listening to HD audio files up to 24 bits / 192 kHz, as well as online music services like Spotify, Deezer, Napster, Tidal, etc. It supports Amazon Alexa, Google Assistant voice control technologies, as well as Heos and Apple AirPlay 2 multiroom protocols.

The Marantz SR5014 is a 7.2-channel model compatible with Dolby Atmos and DTS: X, capable of delivering 100 W/channel with very low distortion. It can access many online music services like Deezer, Spotify, and Tidal. Audyssey MultEQ XT automatic calibration simplifies settings by adjusting the level of each speaker according to the acoustics of the room. Finally, the integration of Heos multiroom audio technology and compatibility with voice control.

The A/V receiver MARANTZ SR6014 can broadcast Dolby Atmos and DTS: X audio streams, but also reproduce Dolby and DTS multichannel sound with vertical surround effects from stereo signals. It uses the Dolby Atmos Height Virtualization and DTS Virtual: X processes for this. It has 8 inputs and two HDMI outputs conforming to the latest standards. The HDCP 2.3 copy protection standard, 4K Ultra HD 60 Hz video resolution, HDR Dolby Vision, HLG and HDR10 formats and even 3D are thus supported in passthrough.

The Marantz SR-8012 is an 11.2 model capable of delivering up to 140 W/channel of power in Hi-Fi conditions. There are online music services: Spotify, Deezer, Tidal, Amazon Music / Apple AirPlay, Bluetooth, support for UHD streams, HDCP 2.2 standard and Dolby Atmos, DTS: X and Euro 3D. On the menu of the novelties introduced by this generation 2017, we find the multiroom thanks to the Heir multiroom technology, as well as the support of HDR Dolby Vision and HLG.

Brand review

Marantz is an American hi-fi brand created in the early 1950s by Saul B. Marantz. A prestigious brand, Marantz has greatly influenced the development of hi-fi and home cinema equipment. In 1992, Philips bought the brand before selling it in 2008 at D&M Holdings, Denon's parent company.

Marantz receivers have native support for HEOS multi-room technology. This technology allows you to connect the receiver to the contained HEOS speakers at a considerable distance, which would be enough to create audio space in each room.

In the Marantz receiver comparison, we should note that the company is also known for its Audyssey MultEQ sound correction technology. The MultEQ XT32 is the most accurate acoustic calibration solution with over ten thousand individual markers to capture and correct even the smallest room acoustics. The auto-tuning algorithm determines how many speakers are connected, whether they are connected in phase and whether they are satellites or subwoofers. The system analyzes and adjusts the level of the speaker systems, their size and the distance from the speakers to the listening position.